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3/1.5 $675,000
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The House that Sam Built:Sam Maloof and Art in the Pomona Valley, 1945–1985Sept. 24, 2011–Jan. 30, 2012 MaryLou and George Boone Gallery The furniture of midcentury craftsman Sam Maloof (1916–2009) and the art made by 35 members of his circle of friends is explored in the groundbreaking exhibition, “The House That Sam Built: Sam Maloof and Art in the Pomona Valley, 1945–1985” in the MaryLou and George Boone Gallery.
Sam Maloof in workshop with hornback chairs, about 1960. Photo: Alfreda Maloof, courtesy of the Maloof Foundation
Using as its central metaphor the home that Maloof and his wife Alfreda created for themselves in the mid-1950s in Alta Loma, Calif., “The House That Sam Built” and the accompanying catalog will shed new light on the rich network of influences and exchanges that developed among a postwar community of artists and artisans living near the college town of Claremont. The presence in Claremont of several nationally prominent educational institutions—in particular Pomona College, Scripps College, and Claremont Graduate School (now known as Claremont Graduate University)—furnished a rich intellectual context for this community. Covering a dynamic period in American art, the exhibition spans the development of Maloof’s work from his earliest explorations of handcrafted furniture in the 1950s to 1985, the year he received a “Genius Grant” from the John D. and Catherine T. MacArthur Foundation.
Sam Maloof (1916 – 2009), Double Music Stand (1969) and Chair (1972), Brazilian Rosewood Stand: 44 ½ x 51 x 30 ½ in.; chair: 29 x 24 x 18 ¾ in. Collection of the Sam and Alfreda Maloof Foundation for Arts and Crafts, Alta Loma, Calif. Credit: John Sullivan, The Huntington Library, Art Collections, and Botanical Gardens.
An Integrated Installation
Sam Maloof (1916 – 2009), Desk Hutch, Calif. 1970, Walnut, 71 5/8 x 43 7/8 x 21 ¾ in. Collection of the Sam and Alfreda Maloof Foundation for Arts and Crafts, Alta Loma, Calif. Credit: John Sullivan, The Huntington Library, Art Collections, and Botanical Gardens.
Sam Maloof (1916 – 2009), Occasional “String” Chair, 1950, Walnut, maple, and cord, 29 ½ x 24 x 33 in. Collection of the Sam and Alfreda Maloof Foundation for Arts and Crafts, Alta Loma, Calif. Credit: John Sullivan, The Huntington Library, Art Collections, and Botanical Gardens.
This exhibition is made possible by a lead grant from the Getty Foundation. Major support was also provided by the Steven and Kelly McLeod Family Foundation and the Windgate Charitable Foundation. Additional support was provided by the Ahmanson Foundation Exhibition and Education Endowment and the Elsie De Wolfe Foundation. Exhibition Catalog
The Huntington Library, Art Collections, and Botanical Gardens has published a companion book to the exhibition, The House That Sam Built: Sam Maloof and Art in the Pomona Valley, 1945–1985. The 192-page, fully illustrated catalog chronicles the development of Maloof’s work from his earliest explorations of handcrafted furniture to 1985, exploring his achievement over those decades in a series of interrelated contexts, from his relationship to the Claremont-based art community to his leadership of the national craft movement. The House that Sam Built is edited by Harold B. “Hal” Nelson, curator of American decorative arts at The Huntington, and features contributions by Jeremy Adamson, curator of the 2001 Smithsonian retrospective on Maloof; and scholars Jason T. Busch, Jonathan L. Fairbanks, and Tia Vasiliou; as well as an interview with fiber artist Kay Sekimachi.Hardcover ($39.95) and softcover editions ($29.95) are available at The Huntington’s Bookstore & More (bookstore@huntington.org, 626-405-2142) and from booksellers nationwide. The House That Sam Built is published with the assistance of the Getty Foundation.
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